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Diller Scofidio & Renfro Dancing Trees at Liverpool Biennial

Posted By Abigail Doan On October 18, 2008 @ 5:00 am In Art,Landscape Architecture | 1 Comment

Arbores Laetae (Joyful Trees), Arbores Laetae, Joyful Trees, Joyful Trees Liverpool Biennial, Diller Scofidio Renfro Arbores Laetae, Diller Scofidio Renfro Joyful Trees, Joyful Trees arboretum, rotating trees, mechanized trees, MADE UP Liverpool Biennial 2008, public park art installations Liverpool [1]

With all eyes on the much anticipated first installment of Diller Scofidio + Renfro [2]’s NYC High Line [3] project this winter, it is refreshing to experience their work as ‘moving’ art with Arbores Laetae (Joyful Trees) [4]at this year’s Liverpool Biennial [5]. This architectural trio is well known for their interdisciplinary practice – melding architecture, urban design, visual art, site-specific installation, and electronic new media in ways that playfully investigate performance and landscape interpretation. For the 2008 MADE UP Liverpool Biennial [5], S D + R created an arboretum on a former brownfield site. The installation included rotating trees that engage viewers in a totally eerie spin on human nature, emotions, and choreographed interaction.


Arbores Laetae (Joyful Trees), Arbores Laetae, Joyful Trees, Joyful Trees Liverpool Biennial, Diller Scofidio Renfro Arbores Laetae, Diller Scofidio Renfro Joyful Trees, Joyful Trees arboretum, rotating trees, mechanized trees, MADE UP Liverpool Biennial 2008, public park art installations Liverpool

Joyful Trees [4] re-examines the traditional idea of public park space by choosing to animate, in a mechanized way, those landscape elements that we expect to be stable and on ‘terra firma’. Seventeen hornbeam trees [6] (‘joyful trees’) were formally planted in a grid pattern with three trees rotating at the heart of the grove. Shadow, light, and pattern are in turn, the artificial byproducts of this axial disorientation. SD + R architected the three mechanized trees to be planted at a 10-degree bias in planter box turntables. The three turntables rotate at different speeds allowing the trees to occasionally brush up against one another while also disorienting the viewer.

A new spin on an arboretum’s function, Joyful Trees [4] animates the natural world in a way that puts nature on par with spectator. Liberating and eerie, the dance of light, shadows, and perspective conceptually plays with the viewer’s own spatial orientation and sense of permanence and grounding.

via Arts & Ecology [7]

+ Arbores Laetae (Joyful Trees) at The Liverpool Biennial [4]

+ Diller Scofidio + Renfro [2]


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URL to article: http://inhabitat.com/diller-scofidio-renfro-joyful-trees/

URLs in this post:

[1] Image: http://www.inhabitat.com/2008/10/18/diller-scofidio-renfro-joyful-trees/

[2] Diller Scofidio + Renfro: http://www.dillerscofidio.com/

[3] High Line: http://www.thehighline.org/

[4] Arbores Laetae (Joyful Trees) : http://www.biennial.com/content/LiverpoolBiennial2008MADEUP/DillerScofidioRenfro/Overview.aspx

[5] Liverpool Biennial: http://www.biennial.com/index.aspx

[6] hornbeam trees: http://www.inhabitat.com/wp-admin/%3Cbr%3E%3C/a%3Ehttp://en.wikipedia.org/wiki/Hornbeam%3Cbr%20/%3E

[7] Arts & Ecology: http://mtblog.typepad.com/arts_ecology/2008/10/joyful-trees.html

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