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INTERVIEW: Ian Garrett Reports on COP15 and the Arts

by , 12/17/09
filed under: Art

Ian Garrett at COP15

To get the word on the cultural scene at COP15, Inhabitat asked some juicy questions of Ian Garrett, co-founder of the Center for Sustainable Practice of the Art (CSPA). Garrett also teaches Sustainable Theater and Management Technology courses at the California Institute of the Arts, which makes him the perfect guy to get the green perspective on this massive climate-cultural gathering. Read on to hear his take on creative demonstrating, tipping points, and the paradox of flying to a conference about global warming!

Ian Garrett at COP15, sustainable design, green design, eco art, environmental art, copenhagen climate conference, protest, global warming, climate change, Bike Parking in Copenhagen by Ian Garrett

INHABITAT: What were your cultural expectations for Copenhagen?

GARRETT: At this point, I don’t know what my expectations are. I’m a big fan of the idea that if you get a lot of people together in one spot, talking about a thing, things can happen. The feeling I have from the news out of here and being in the streets is that there is going to be more civilian change out of this than there will be government change. My hope is that, with this many people of divergent origins, with the efforts being made from a cultural end, that it will reify something at the grassroots level. I can only hope that it makes it upwards, because that doesn’t seem like the case at the Bella Center.

Ian Garrett at COP15, sustainable design, green design, eco art, environmental art, copenhagen climate conference, protest, global warming, climate change, CO2 Cube at night

INHABITAT: What have been some standout experiences thus far? What artworks have struck a chord, and why?

GARRETT: It’s hard to tell right now, there is so much more to see in this next week, but if I chose now my vote is in for wooloo.org‘s efforts and partnerships. They’ve got Superflex’s sustainable burial contracts, the Yes Men’s Coca-Cola Pledge and New Life Copenhagen. Everything they are doing is very much in the spirit of unity and many people doing small things towards a bigger goal. I think that’s a message in and of itself. And since all three of the projects I mentioned rely on documentation and masses of people as the documenters I think that it’s got the potential to show the most real human aspects of the issues being discussed and the opportunities to work together.

There is the common thread these days of “Changing light bulbs won’t save the world.” Which is true, but you know, ultimately if everyone change all light bulbs, sure it would do something about energy use. The point being that lots of people making small efforts aren’t to be scoffed at. It’s those sort of efforts, that when combined, lead to tipping points. We just aren’t there yet, and light bulbs have no future as a tipping point for the climate.

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1 Comment

  1. INTERVIEW: Ian Garrett ... December 8, 2010 at 3:41 pm

    [...] metropolis. But more has changed: the organization of the event, the layout of it, the expectation. Last year we talked to Ian Garrett of the Center for Sustainable Practice in the Arts to get his perspective on the arts and culture [...]

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