“The Line” exposes the irreparable damage the toxic sludge left on the small town. A thick line of red swallows up trees, dyes the town’s dirt and grass, and brands the bottom half of homes and buildings for as far as the eye can see. Mesarzaro creates these images by only lining up the tip of the red stains with the horizon line in each photograph making the result is so precise and vibrant, it looks as if someone had purposely painted the town red. Though the images are striking, they are a constant reminder of the mark toxic waste has left on the town of Ajka and the continued need and effort to rebuild from the red rubble.
Known for his documentary style of photography, Meszaros has created carefully orchestrated images of other Eastern European ecosystems and atmospheres, focusing on social and anthropological issues. His background in architecture is also key to his unique style, building mesmerizing images that tell a captivating, oftentimes overlooked story. He was so moved by the town of Ajka, he produced a second series of photographs, “The Line II,” exploring the lifestyle and landscape of the remaining industrial community.