Kurtz’s characters feature the same physical imperfections that real people do — hanging jowls, rolls of fat, bags under their eyes — only these common disfigurements are not clad in skin, but instead with the colorful pattern of used newsprint and magazines. Occasionally, the artist uses what is printed on the pages he uses as his medium, projecting the scandalous headlines, gloomy news and tabloidized faces of celebrities onto the surface of each character.
Many of Kurtz’s characters are inspired by people he sees around New York. But he uses sculptures made of recycled materials to draw attention to many of the characters we tend to avoid. The artist has often created sculptures of wilted homeless people, crumpled in uncomfortable slumber, as well as panhandlers, with and without amputated limbs. Kurtz also tends to depict the obese, layering more and more newspaper to show the paunch of a beer belly or bulge of a waist line.
Using a newspaper layering process, Kurtz binds his subjects to the texts he wraps their “skins” in. By creating skins of yesterday’s news, the artist further punctuates his choice of sculpting the underlings of society.