Adaptive reuse projects generally call to mind industrial warehouses and factories turned into trendy studios, or shabby-chic restaurants and bars, but the transformation of the St. Nicholas Church in Kyloe, Northumberland, England has taken this concept of renewal and grounded it much closer to home. The church was purchased not too long ago by Sally Onions and Ian Bottomley, who went the unconventional route when scouting for their newest digs. Far from a Norman Foster style box, or even a classic and quaint Victorian house, the duo instead opted to transform an 18th century basilica into the sanctuary they now call “home.”
Dilapidated 18th Century Church Transformed Into a Private Home
by Jamie Hall, 12/23/10
filed under: Architecture
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The original church was a voluminous building with a high roof lined with beautiful wood paneling and a choir platform on one side with two
6 Responses to “Dilapidated 18th Century Church Transformed Into a Private Home”
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Holy renovation! That is beyond heavenly…
I want to live in a space like that. Really beautiful. A fantastic job of merging the historic church with contemporary living spaces. This is exactly the type of project that should be entered into the Holcim Awards. http://on.fb.me/holcim-awards
my ancestors were baptized in this church around 1859 ( michael Gutherie )
you can contact me at ” vndpieksma@msn.com ” if you like
Michael was my 8th great grandfather
The place looks great.
Thank you
Vicky Smith-Pieksma
A very inspirational example of “reuse” and the power of thinking outside of the box!
I like your content. Very interesting. The house look elegant.
Althought I absolutely praise the general idea of restoring the church as it was, I think that the interior design is a big missed chance comparing to the amazing space they have…
It would have been much more interesting and elegant to adopt a much stronger style in furnishing, be it contemporary (minimal or even extremely colourful and creative) or, for example, an early ’900 art deco, or just about anything “personal”, but not to go along a folk-countryhouse style, which merges in an odd manner with the church’s own style and materials