The house is constructed around a formal square patio that is accessed via the entrance’s sweeping above-ground steps. All of the rooms of the home have been oriented to open up to the patio in order to take advantage of the outdoor living area and the temperate weather. Glass makes up the exterior walls, pulling in the light reflected off the tall white walls that rise above-head and encase the house. A spectacular balcony with views to the lake and hills sits high up on the edge where the two walls meet. The walls have been oriented towards the north to both shade the balcony and protect the home for northern winds. To reach the balcony, two cantilevered metal stairways are flanked on one side of the wall, and water cascades within the deep grooves of the handrails. The water is collected at the bottom of the stairs in a central semi-circular fountain.
The interior has been built as a large continuous space, defined on one side by a long sinuous wall. Rooms have been excavated from the depression and built as alcoves. A smooth finish on both the floor and ceiling helps wash the interiors with a soft atmospheric light that enter through skylights. All practical needs and services (kitchen, baths, storage, etc.) are satisfied by containers placed adjacent to the living room. Construction followed the practices of local builders, and the home uses concrete, earth and bricks. Insulated double walls and slender columns support a concrete roof, and to keep the house cool during hot and dry summers, the roof has been covered in lush grass.
Many of Ambasz’s projects focus in on features such as the presence of light, the murmur of water, the manipulation of perspective and the inhabitation of space. “I have always striven in my work to present alternative models of the future so that we can change the present,” Ambasz once said. “If there is any strength to my architectural ideas, it comes from the fact that I believe that architecture has to be not only pragmatic but also move the heart.”
Photos © Michele Alassio