Laramée, who has an extensive background in the arts, is best known for his topographical literary sculptures that take anywhere between days to months to complete. His sculptures have depicted breathtaking landscapes from iconic Petra in Jordan to China’s emerald karst mountains. In an interview with yatzer, Laramée say that these works of art aren’t so much about nature as they are about capturing and evoking the feeling of the sublime and spirituality inspired by extraordinary landscapes.
The sculptures are all made by hand without computer modeling. Laramée uses a vast array of tools from band saws and chain saws to flexible shaft rotary tools and sand blasters to carve small magical worlds from tightly bound book pages. Mountainous landscapes, icy glaciers, canyons, and underground caverns are all masterfully represented in his prolific series. Laramée applies oil paints, inks, dry pastels, crayon, adhesives, and beeswax to bring the landscapes to life.
“My work, in 3D as well as in painting, originates from the very idea that ultimate knowledge could very well be an erosion instead of an accumulation,” writes Laramée. “So I carve landscapes out of books and I paint romantic landscapes. Mountains of disused knowledge return to what they really are: mountains. They erode a bit more and they become hills. Then they flatten and become fields where apparently nothing is happening. Piles of obsolete encyclopedias return to that which does not need to say anything, that which simply IS. Fogs and clouds erase everything we know, everything we think we are.”