Pritzker Prize-winning Japanese architect Shigeru Ban is widely known and respected for his 20 year career in designing groundbreaking buildings from cardboard, paper and other unexpected materials, as well as his humanitarian efforts in designing emergency shelters for natural disasters, such as the Nepal Earthquake and the tsunami which hit Southeast Asia. To celebrate the architect’s long dedication to humanitarian design, two of his signature disaster relief shelters have been erected in the Courtyard Garden of Sydney’s Sherman Contemporary Art Foundation (SCAF).
Although disaster housing design has advanced by leaps and bounds due to the burgeoning refugee crises, Ban has made a long career of building structures out of locally-sourced and recycled materials – including cardboard tubes, bamboo and recycled milk crates. The structures currently on display at the SCAF are two of his signature designs made of cardboard. The first was designed for the 1995 Kobe earthquake and is constructed from vertical rows of cardboard tubes. The second design, which was made after the 2016 Ecuador earthquake, also has a cardboard frame, but is clad in bamboo.
Related: Shigeru Ban will reuse earthquake rubble to build Nepal relief shelters
In addition to the two shelters on display in the courtyard, visitors can also see scales of the architect’s additional work on the interior. The exhibit includes some of Ban’s most well-known designs including the amazing Cardboard Cathedral built in Christchurch, New Zealand in 2013.
Although Ban has a diverse architectural profile, affordable disaster shelters will always be what drives his inspiration: “Architects mostly work for privileged people, people who have money and power,” he explains. “Power and money are invisible, so people hire us to visualize their power and money by making monumental architecture. I love to make monuments, too, but I thought perhaps we can use our experience and knowledge more for the general public, even for those who have lost their houses in natural disasters.’”
Photography by Brett Boardman, courtesy of the Sherman Contemporary Art Foundation
why not used paper tube are being applied and just new material and products?