Designed in collaboration with JM Architects, the Reid Building aims to forge “a symbiotic relation with Mackintosh in which each structure heightens the integral qualities of the other.” In contrast to Mackintosh’s sculptural sandstone masonry, the Reid Building is wrapped in a cloudy skin of translucent glass. The icy glass facade gives the structure a sculptural effect and brings in generous amounts of natural light. An external terrace on the south side will be planted in the style of Machair (the Scottish grassy plains).
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The concrete interior is painted white to capture and reflect the abundance of natural light. Three angled cylindrical chasms–or “driven voids light”–slice through the structure from the roof to the basement, opening up the building to southern light and providing a “circuit of connection.” While the “driven void” light shafts ensure that the building is well lit, they run the risk of doubling as disruptive echo chambers that amplify and carry noise throughout the building. The spacious studios and workshops are located along the north end of the building to take advantage of the northern light coveted by artists.
+ Steven Holl Architects
Images via Steven Holl Architects
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