Quirky and full of unexpected design choices, this Australian residence by Kavellaris Urban Design, asserts that holding onto old architectural aesthetics can be both silly and unsustainable. The Perforated House’s high-tech, translucent exterior is etched with ornamental details to pose commentary on contemporary homes that adhere strongly to traditional architectural typologies — the terrace home, in this particular case. Observing that the dated aesthetic has “a stronger link with romanticized nostalgia rather than good design,” the architects set out to re-work the traditional terrace home, creating this case study house with an ironic and more eco-friendly new aesthetic for building.
The architects mention on their website that the terrace house’s layout and front-facade focus fail to give attention to solar orientation or passive ventilation. So to begin their investigation, the architects relocated the public and private spaces of the home. With the bedrooms downstairs and the public living areas upstairs, the top floor can open up completely without compromising any privacy.
Upper-level bi-fold doors allow the home to transition from public to private, space to void — and then back. Transitioning between different facades, the architects said, “By day, the building is heavy and reflective but by night inverts to a soft, translucent, permeable light box.” To further transform the home, the architects incorporated movable walls throughout the interior of the home, allowing the residents to open or enclose spaces as they please.
As the architects were frustrated by the un-sustainability of the traditional terrace house, they were sure to take advantage of eco-friendly techniques. These include: exterior bi-fold doors that provide the benefits of cross ventilation, a tiny lot at 5.5 meters x 14.4 meters (or approximately 18 feet x 47 feet for us Americans) and the use of solar hot water.
And if you love it — you’ll be happy to know that the house is up for sale!
+ Kavellaris Urban Design
Via desire to inspire
All photos courtesy of Peter Bennetts